In search of beauty and functionality, analyzing fundamentals of human rituals.
Interaction is the wide gestural and behavioral category framing humans at the trial of designing adaptive strategies, functional and necessarily, consistently beautiful.
Either genetical reproduction or the act of efficiently facing natural and inter-groups competitions and adversities, has been fostering our inner-species/species-to-species/species-to-nature interaction skills.
When we talk about interaction, we assume that humans's vast symbolic system of tools is the center of any strategy to organize and keep open and aware the relationship between given natural, technical or functional articulations and pertinent, proficient and individual results: understanding, using, altering and transmitting.
In a time of highly diversified though interrelated stratification of knowledges, interaction design is the discipline that intends to transform any given data in an open question to individuals' creativity and imaginative experience: the ignited cycle of knowledge and practice is then the unlimited cycle of culture, where pretending, adding, projecting and improving, happen in a continuous, endless virtuoso movement.
The given points of an interaction design process:
Designing interactive dimensions and contexts requires the assumption that the Interactive Cycle is the goal and the Object is eventually a social platform for boosting logical systems into future ecologies.